Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Frederic,lord leighton,p.r.a.,r.w.s
A Colour Sketch for Cimabue's Celebrated Madonna is Carried in Procession throuth the Streests of Florence' (mk37)

ID: 25392

Frederic,lord leighton,p.r.a.,r.w.s A Colour Sketch for Cimabue's Celebrated Madonna is Carried in Procession throuth the Streests of Florence' (mk37)
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Frederic,lord leighton,p.r.a.,r.w.s A Colour Sketch for Cimabue's Celebrated Madonna is Carried in Procession throuth the Streests of Florence' (mk37)


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Frederic,lord leighton,p.r.a.,r.w.s

1830-1896 English painter and sculptor. He studied in Florence. His first exhibited picture, which showed Cimabue's Madonna being carried through the streets of Florence, was purchased by Queen Victoria in 1855. Leighton was president of the Royal Academy from 1878 until his death.  Related Paintings of Frederic,lord leighton,p.r.a.,r.w.s :. | Arab or Arabic people and life. Orientalism oil paintings 268 | The Playground | Portrait of Mrs Bacon | Bacchus | nordiska museet |
Related Artists:
Jean-Louis Voille
painted Ivan Perfilevich Elagin in 1789
Maron, Anton von
Austrian, 1733-1808 Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau
Johann Walter
painted Gustavus Adolphus of Sweden at the Battle of Breitenfeld in 1632






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